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— and it hinges on an unlikely friendship that could only exist from the movies. It’s the most Besson thing that is, was, or ever will be, and it also happens being the best.

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This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who opt to go to at least one last party now that high school is over. Dever's character has among the realest young lesbian stories you'll see in a movie.

Will not dream it, just be it! This cult classic has cracked many a shell and opened many a closet door. While the legendary midnight screenings are postponed because on the pandemic, have your personal stay-at-home screening!

Catherine Yen's superhero movie unlike any other superhero movie is all about awesome, complex women, including lesbian police officer Renee Montoya and bisexual Harley Quinn. This is the most enjoyment you'll have watching superheroes this year.

Taiwanese filmmaker Edward Yang’s social-realist epics typically possessed the daunting breadth and scope of the great Russian novel, from the multigenerational family saga of 2000’s “Yi Yi” to 1991’s “A Brighter Summer Day,” a sprawling story of one middle-class boy’s sentimental education and downfall set against the backdrop of the pivotal minute in his country’s history.

From the films of David Fincher, everybody needs a foil. His movies normally boil down to your elastic push-and-pull between diametrically opposed characters who reveal themselves through the tension of whatever ties them together.

Set in Calvinist small swinger porn town atop the Scottish Highlands, it is the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who's got intercourse playobey sheer knockout with other Guys to please her husband after a mishap has left him immobile. —

A person night, the good Dr. Invoice Harford could be the same toothy and confident Tom Cruise who’d become the face of Hollywood itself within the ’90s. The next, he’s fighting back flop sweat as he gets lost during the liminal spaces that he used to stride right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers along with the sinister ultra-rich they serve (masters in the universe who’ve fetishized their role within our plutocracy to your point where they can’t even throw an easy orgy without turning it into a semi-ridiculous “Sleep No More,” or get themselves off without putting the panic of God into an pornky uninvited guest).

Mahamat-Saleh Haroun is one of Africa’s greatest living filmmakers, and while he sets the vast majority of his films in his indigenous Chad, a few others look at Africans battling in France, where he has settled for most of his adult life.

” It’s a nihilistic schtick that he’s played up in interviews, in episodes of “The Simpsons,” and most of all in his individual films.

For such a singular artist and aesthete, Wes Anderson has always been comfortable with wearing his influences on his sleeve, rightly showing confidence that he can celebrate his touchstones without resigning to them. For gayboystube proof, just look at just how his characters worship each other in order to find themselves — from Ned Plimpton’s childhood obsession with Steve Zissou, for the mild awe that Gustave H.

A movie with transgender leads played by transgender dogfart actresses, this film established a whole new gold standard for casting LGBTQ movies with LGBTQ performers. In keeping with Selection

Slice together with a degree of precision that’s almost entirely absent from the remainder of Besson’s work, “Léon” is as surgical as its soft-spoken hero. The action scenes are crazed but always character-driven, the music feels like it’s sprouting immediately from the drama, and Besson’s vision of the sweltering Manhattan summer is every bit as evocative given that the film worlds he developed for “Valerian” or “The Fifth Element.

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